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Program on Information Justice and Intellectual Property
Research and Advocacy Resources for Students

In Lawsuit, Georgia State Asserts That Downloading Copyrighted Texts Is Fair Use

In Lawsuit, Georgia State Asserts That Downloading Copyrighted Texts Is Fair Use In a closely watched copyright-infringement lawsuit, Georgia State University fired back this week at its accusers, three academic publishers that say the institution invites students to illegally download and print readings from thousands of works. The university asserts that its online distribution of course material is permitted under copyright law's fair-use exemption.

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Associated Press to Set Guidelines for Using Its Articles in Blogs

Associated Press to Set Guidelines for Using Its Articles in Blogs The Associated Press said that it will attempt to define clear standards as to how much of its articles and broadcasts bloggers and Web sites can excerpt without infringing on The A.P.’s copyright. The effort to impose some guidelines on the free-wheeling blogosphere, where extensive quoting and even copying of entire news articles is common, may offer a prominent definition of the important but vague doctrine of “fair use,” which holds that copyright owners cannot ban others from using small bits of their works under some circumstances. For example, a book reviewer is allowed to quote passages from the work without permission from the publisher.

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Yes You Can - Where You Don't Even Need Fair Use


The answers to some of filmmakers’ most common clearance questions don’t really lie in the realm of “fair use” at all, but fall under the heading of “free use.” This blog lists some examples.

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Submissions to USTR for the 2008 Special 301 Report Posted Online


USTR’s annual Special 301 Report identifies countries viewed as denying sufficient intellectual property protection to US companies. If a country is listed as a “priority foreign country” in the report, USTR may initiate a formal investigation of the country within 30 days – the first step in the process of imposing bilateral trade sanctions against a country.

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Fair Use and Public Media

Digital Media Arts Lab

PIJIP faculty members work to assure that the copyright fair use doctrine remains vibrant, in both analog and digital contexts. Working closely with AU’s Center for Social Media and a number of non-profit organizations, we seek to explain and promote interpretations of copyright, communications and other laws that protect and facilitate the growth of public media. We applied our fair use initiative to documentary films, user-generated content on participatory Internet platforms, a new media format that can help the public to recognize and understand common social problems.

PIJIP’s work in this area includes developing seminal “Best Practices” guidelines for fair use by non-fiction filmmakers, supporting research on the effects of intellectual property on the practices of media makers, and organizing and convening scholarly conferences.


Peter JasziFrequently Asked Questions on Fair Use (December 2007)

By Pat Aufderheide, Peter Jaszi, Maura Ugarte and Michael Miller
Does the Documentary Filmmaker’s Statement of Best Practices actually carry weight with broadcasters and insurance companies? What is the appropriate length of a clip to fair use? Does it matter if you are a non-profit organization vs. a commercial organization? Is fair use stealing? ...and more.

 

RRR CritterRecut, Reframe, Recycle

When college kids make mashups of Hollywood movies, are they violating the law? Not necessarily, according to the latest study on copyright and creativity from PIJIP and the AU Center for Social Media. It shows that many uses of copyrighted material in today’s online videos are eligible for fair use consideration.

 

Copyright The Cost of Copyright Confusion for Media Literacy

PIJIP's report shows that the fundamental goals of media literacy education are compromised by unnecessary copyright restrictions. As a result of poor guidance, counterproductive guidelines, and fear, teachers use less effective teaching techniques, teach and transmit erroneous copyright information, fail to share innovative instructional approaches, and do not take advantage of new digital platforms.

 

CDs

The Good, the Bad, and the Confusing: User-Generated Video Creators on Copyright

In this study, undergraduate and graduate college students who upload online video were asked to describe their practices and attitudes on using copyrighted material to make new work and on the value to them of their own copyright.

 

Previous Reports

Events

In collaboration with the Center for Social Media at the AU School of Communications, this event will discuss the implications of copyright law on the growing use of platforms such as YouTube to facilitate user generated media content. Rappateurs' Report.

This conference will focus on the balance between user and owner rights and interpretations of copyright law that can usefully support the media librarian’s role as a facilitator for the public’s access to audio-visual media.

Partners



Attribution for graphcis posted on flickr.com under a creative commons license:  Photo of Digital Media Arts lab at Huntington University by Laffy4K.  Photo of copyright C by DiscourseMarker. Photo of CDs by Chen Wenbo.

 

 
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